Resume

PODCAST PRODUCTION EXPERIENCE

Associate Producer, APM Studios

American Public Media Group | Dec. 2022 - present

  • Produce daily and weekly shows, including The Slowdown, The One Recipe, Moment of Um, and Don’t Ask Tig, reaching 500,000+ listeners monthly

  • Provide backup production support for additional shows as needed (Splendid Table, Smash Boom Best)

  • Assemble, edit, and score all episodes using Pro Tools; edit video podcast episodes on Premiere Pro

  • Assist in writing and editing host scripts

  • Pitch and book guests; oversee host preparation, recording sessions, and pickup sessions

  • Onboard, mentor, and supervise interns

Development Producer, The Arts & Everything Podcast

University of North Carolina School of the Arts | 2024 - present

  • Oversee development of new podcast, shaping content and production strategies

  • Coordinate with executive producers and marketing team to refine show concepts

  • Write and edit scripts, ensuring episodes stay within time frame

  • Scope, buy, test, and set up suite of new recording equipment

  • Train production staff on remote and live studio recording, using tools like Riverside

  • Edit, sound design, score, and mix all episodes using Pro Tools

Producer & Sound Designer, Girl Tales Podcast

Cordelia Studios | 2017 - present

  • Produce immersive fiction stories, with episodes ranging from 15 to 45 minutes

  • Create multi-track Pro Tools sessions with Music, Sound Effects, Sound Design, Backgrounds, and Vox

  • Edit, score, sound design, and mix audio on Pro Tools

  • Master episodes with Izoptope RX11 plugins

Adjunct Instructor, Intro to Podcast Production

Virginia Commonwealth University | Jan. 2023 to Dec. 2023

  • Taught two semesters of podcast production at VCU’s Robertson School of Media and Culture

  • Covered storytelling, interviewing, writing, and audio editing on Adobe Audition

Associate Producer & Researcher, Call to Mind

American Public Media Group | Aug. 2022 to Oct. 2022

  • Pitched and booked over 20 guests for monthly longform broadcast specials on mental health

  • Assisted in writing, story editing, and producing

  • Provided audio editing, sound design, and scoring for all episodes

  • Conducted archival research

Senior Production Coordinator, Podcast Department

Ten Percent Happier | Mar. 2020 to Jun. 2022

  • Managed production assignments for flagship podcast, Ten Percent Happier

  • Led and assisted in developing and launching 3 new podcasts

  • Led ad operations, approving and scheduling campaigns and writing ad reads for host

  • Served as liaison between production, marketing, and product teams

Production Coordinator, ZigZag & Note to Self Podcasts

Stable Genius Productions | Mar. 2019 to Apr. 2020

  • Created production schedules for producers and audio engineers

  • Managed sponsorships and promos, overseeing tracking and audio delivery

  • Coordinated studio sessions, hired tape syncers, and handled contractor payments

  • Liaised with Luminary for audio/asset delivery and uploaded episodes to PRX

  • Edited sound bites for social media use

Senior Producer, She’s All Fat Podcast

She’s All Fat | 2017 to 2020

  • Assembled and edited all episodes for indie co-hosted podcast

  • Edited, scored, sound designed, mixed and mastered all episodes on Logic Pro

  • Created and managed production schedules and deadlines for entire team

  • Led ad operations, resulting in over $20,000 of revenue in season 3

Instructor & Producer, Radio Camp

88.5 WFDD | 2017

  • Taught summer camp on audio production to 45 students, covering recording, writing, editing, and mixing

  • Guided students in producing 3-minute features

  • Booked a diverse slate of local artists, business owners, and community leaders for student interviews

Other Work

How to do the Pot — Mix & Master (2020)

Can We All Come Out Now? — Mix & Master (2020)

Homemade by Allrecipes — Mix & Master (2020)

ZigZag — Production Assistant (Season 5)

Who Knows? — Consultant and Editor (2017)

EDUCATION

University of North Carolina School of the Arts

BFA in Design & Production, Concentration in Sound Design | May 2015

SKILLS

  • Podcast Production & Development

  • Audio Editing & Sound Design (Pro Tools, Adobe Audition, Descript)

  • Video Editing (Descript, Adobe Premiere Pro)

  • Studio & Remote Audio Engineering (Riverside, Tape Syncs)

  • Production & Project Management

  • Script Writing & Editing

  • Guest Booking & Research

  • Ad Operations & Copywriting

AWARDS & RECOGNITION

Winner, Best Daily Podcast

The Slowdown (The Signal Awards, 2023)

Top Ten Finalist

Original Piece (KCRW Radio Race, 2022)

Best Talk Show Nominee

Ten Percent Happier (The Webby Awards, 2021)

Winner, Best Host

ZigZag Podcast (The Webby Awards, 2020)

 

 

 Theatre Audio

Sound Design

The Jungle Book — Peppercorn Children’s Theatre, Dir. Becca Drew Ramsey (2019)

White Lighting — Triad Stage, Dir. Sarah Hankins (2019)

A Sick Day for Amos McGee — Children’s Theatre of Charlotte, Dir. Adam Burke (2019)

Learn to Speak Doll — Peppercorn Children’s Theatre, Dir. Nathan Ross Freeman (2018)

A Christmas Carol (Associate) — Triad Stage, SD: G. Clausen (2018)

The Tourist Trap — Peppercorn Children’s Theatre, Dir. Harry Poster (2016)

Flor to Somewhere — Peppercorn Children’s Theatre, Dir. Rebecca Cunningham (2016)

Proceed Moon — Peppercorn Children’s Theatre, Dir. Thomas Rowell (2016)

Boeing-Boeing — Guilford College, Dir. Marc Williams (2016)

Sweeney Todd — PlayMakers Repertory, Dir. Jen Wineman (2016)

Three Sisters — PlayMakers Repertory, Dir. Vivienne Benesch (2016)

Hamilton: An American Musical (Intern) — Broadway, SD: Nevin Steinberg (2015)

Oklahoma! (Assistant) — Bard Summerscape, SD: Drew Levy (2015)

Guys and Dolls (Associate) — UNC School of the Arts, SD: Drew Levy (2015)

Bright Ideas — UNC School of the Arts (2015)

Bent — UNC School of the Arts (2015)

Bull Durham (Intern) — The Alliance Theater (2014)

One Man, Two Guv’nors (Assitant) — Heritage Theatre Festival, SD: Richard Sprecker (2014)

The Memorandum — UNC School of the Arts, Dir. Quin Gordon (2013)

Engineering

Man of La Mancha (A1 / Sound Supervisor) — Triad Stage, SD: Christopher Ross-Ewart (2019)

Two Trains Running (A1 / Sound Supervisor) — Triad Stage, SD: Mike Skinner (2019)

A Midsummer Night’s Dream (A1 / Sound Supervisor) — Triad Stage, SD: Jane Shaw (2018)

And Then There Were None (A1 / Sound Supervisor) — Triad Stage, SD: G. Clausen (2018)

Having Our Say (A2 / Board Op) — Triad Stage, SD: Taylor Dankovich (2017)

Wit (A2 / Board Op) — Triad Stage, SD: Taylor Dankovich (2016)

Thoroughly Modern Millie (A2 / Mix Engineer) — Heritage Theatre Festival, SD: Richard Sprecker (2014)

South Pacific (A2 / Mix Engineer) — Piedmont Opera, SD: Jason Romney (2014)

Henry V — (A1 / Sound Supervisor) — UNC School of the Arts, SD: Cole Hamrick (2014)

The Master and Margarita (A2 / Board Op) — Bard Summerscape, SD: Ien Denio (2013)

RENT! (A1 / Mix Engineer) — Roxy Performing Arts Center (2013)

The Dragon (A1 / Sound Supervisor) — UNC School of the Arts, SD: Cole Hamrick (2013)

The Comedy of Errors (A2 / Sound Engineer) — UNC School of the Arts, SD: Molly Schleicher (2012)

Legally Blonde The Musical (A2 / Mic Tech) — PCPA, SD: Elisabeth Rebel (2012)

Little Women The Musical (A2 / Mic Tech) — PCPA, SD: Elisabeth Rebel (2012)

Babbitt (A2 / Board Op) — UNC School of the Arts, SD: Nick Correa (2012)